![]() Set within a theatrical composition, Scouters , shows two young women carrying a log against a natural backdrop. These works were done in a few different 3D programs and also with Photoshop. The appreciation for nature when treated kindly. The three pieces ( Gently Peel the Skin to Reveal the Seeds Underneath, It’s Time to Harvest the Peas and My Little Baby) are about the intimate and close relationship between nature and woman (also man). They show the bigger figures that take over the space with their body. I wanted to show these works because they’re nature driven and set in the outdoors which is a subject that I love. I’m a vegan! And so the figures with the vegetables, it’s a way for me to appreciate nature, food and everything that these give. Can you speak a bit about the works you’re showing with Institut and Platform? But it’s still such an early world, it’s still evolving so much, so over time the things that are more valuable will stay. For me with NFTs, it’s a love-hate relationship. If you take away the hype elements and take away the collectibles, which I’m not sure are art driven, then you find a lot of amazing artists. When I thought about going into NFTs I saw a lot of stuff and thought, that’s not my kind of art and I don’t want to be a part of it. But over time, I saw that there’s more and more varied art. What are your honest feelings about NFTs? Is it liberating for artists, or overhyped? You don’t see 3D things in traditional art. Finding a way to link to traditional art and making people see the work and say “Wow, I recognise this”. It doesn’t really relate to traditional art, it’s like the opposite. Also seeing these kinds of works in 3D is something different. I always try to push the boundaries of my medium and look for a common ground between different ways of creating visual art. The compositions, gestures and concepts have not changed much but the content, tools and point of view can be very different and relevant for today. My idea is always to bring together older traditions and mix them with the new. I use a very modern technique in my art but I feel that with the right intention and eye, it doesn’t matter what tools you use for creating. ![]() I was always drawn to human figures and portraiture, and I was fascinated at how one can capture the soul of a person using brushstrokes. My favourite artist, who really got me creating and started my obsession for art, is Lucian Freud. My artistic influences come mainly from Classical figurative art (renaissance, Dutch, German, British, etc.).
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